The first song he wrote was : "The Paths to Freedom"which was translated into six languages : English, Dutch, German, Italian, Spanish and Polish. Many texts were written at night, by candelight : «A para’s Letter», «Juno», « Sainte Mère Eglise» the musical score of « Pegasus» was mainly created with a spoon and glasses. "Remember Omaha" is thought to be the most moving one. «Leclerc» was composed in the dressing-room, at the Bayeux theatre, before a show. Depicting «The Camps» on a sheet of paper was painful. And the musical score of «The Exodus» was composed during a Christmas evening, feeling lonesome. The author thanks God for inspiring him, and Virginie for being so patient during the long nights he spends creating. «Oradour» was written while being connected to the victim’s souls, having visited the site, which was upsetting. Walking on the Arnhem bridge, a song came to him and was completed later on whilst the visiting the cemetery, it was snowing. There were two magic moments in the north of France with my friend Djonny : the first one at the Canadian cemetery near Calais, I could almost hear a soldier «Known only to God» calling me, and another time at Mimoyecques where the underground tunnels appear to have «dwellers».( to be still occupied) The tune «Oh Paris, How I love thee» was composed using an accordion lent by a friend living in my village. Inspiration came all of a sudden for the « Berlin» text. The song « From the Ardennes to Bastogne» was composed on a piano at the Periers village hall, just before a show.